compiled by Denez 'lonely-hearts' McAdoo The Tradewinds - New York's A Lonely Town ? And The Mysterians - Can't Get Enough Of You, BabyĢ0. The Seeds - Can't Seem To Make You Mineġ9. The Flying Machine - Smile A Little Smile For Meġ7. Sandy In Motion - I'm Crying Without Youġ1. The Lemon Drops - I Live in the SpringtimeĨ.

I wonder if that girl from the soda-pop stand likes rock and roll.Ģ. I'm gonna go work on the intro to 'Louie Louie' for a bit. I did it for variety, to appeal to a wider audience, and maybe I'll even pump out a second comp in a few short weeks. You'll notice that about halfway through, I sort of drop the theme of minor chord, organ heavy garage ballads a bit and throw in some baroque pop, moody rockers, and even a few better known mainstream bands like The Byrds, The Seeds, The Association, etc. But, unsurprisingly, this will not help them overcome their painful social incompetence and out of frustration they are forced to wright songs about the bad girls who they don't ever want to see again, the good girls who they do, and the girls who they just can't seem to get to notice them at all. Chances are that hours of practicing 'Stairway to Heaven' in their basement will, somehow, manage to magically inject them with just enough sex appeal to get laid at least once. This includes everyone who has ever been a Ramone. Girls don't like them and they turn to rock and roll out of shear desperation. These guys have either bad teeth, bad hair, bad skin, or all three. These are the 'Jim Morrisons' of the world and include anyone who's ever worn leather pants. In fact, in my opinion, rock n' roll degenerates come in two flavors: cool, popular guys that turn to music because its a quick and easy way to get girls. I read somewhere that the compiler, lacking any better category for describing these sad minor-chord ballads of love-lost and forlorn hearts, as simply 'uncompables' because the average garage-head lust was aimed at suburban snot-nosed punk dementia. I think of of the first garage comp to focus almost exclusively on this vein of music was the 'Shutdown '66' comp that came out in 1991.

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